Eichendorffs Mondnacht. Stanza three introduces the concept of the Christian myth and resurrection by using the conjunction “und” (line 3). Eichendorff’s strongest poems point further towards greatness, towards metaphysics, and yes, religion. Fischer-Dieskau singt dieses außerordentlich romantische Schumann: Mondnacht Schumann: Mondnacht Lied angemessen, vermeidet überbordende romantische Gefühle, die manchmal Nähe zum Kitsch haben. Click here to read the preface and other information on the newly published Henle Urtext edition. Not only on a formal level can the connection between stanza one and three be seen, but there is also a content-based connection: the last word of the first stanza “Himmel” and the last word of the final stanza “Haus” belong to each other. Ulla Hahn: Gedichte fürs Gedächtnis – Zum Inwendig-Lernen und Auswendig-Sagen, ausgewählt und kommentiert von Ulla Hahn, Stuttgart (DVA) 11. I think the main aspect that makes this poem so beautiful is actually not inherently linked to the German language. At the end of this entry you will find a quite extensive Youtube playlist of Mondnacht recordings. Edith Wiens on the topic of Schumann’s Mondnacht. May, 1840). Afterwards Edith Wiens and I listened to numerous (older and more recent) recordings of Mondnacht by Schumann that can be found on YouTube (see the list below). IRS 90 Movements/Sections Mov'ts/Sec's: 12 lieder: In der Fremde Intermezzo Waldesgespräch Die Stille Mondnacht Schöne Fremde Auf einer Burg In der Fremde Wehmut Zwielicht Im Walde Frühlingsnacht Year/Date of Composition Y/D of Comp. It is said to be one of THE favourite poems of the Germans. 1. Boston University Libraries. Moreover, each stanza forms a sentence. Rezension aus Deutschland vom 8. Das Gedicht „Mondnacht“ von Joseph von Eichendorff ist ein Meisterstück der Romantik und beschreibt auf sehr gefühlvolle und ästhetisch ansprechende Weise die Suche nach einer Erfüllung, einer Sehnsucht nach einem Zuhause. The poem consists of three stanzas; each stanza is composed of four lines. I was curious to know which recordings she liked or disliked and why. She finds Bryn Terfel outstanding, like a “hot bath”; an opera singer who truly comprehends the song, but perhaps has some problems with the more gentle notes? The external stanzas, in return, can be described as a frame. (Joseph Freiherr von Eichendorff, Gedichte, Berlin [Duncker und Humblot] 1837, S. 391., translated by K. Winter). Romanticism regards the moon as a motif for desire and longing for something inaccessible. When I thanked Edith Wiens not only for her time, but for the rich conversation that was so rewarding for me because I learned so much from her, her answer was: The following YouTube playlist, specially researched for the readers of the Schumann-Forum 2010 (with the great support of Cornelia Nöckel – thank you!) In contrast, Der Krieg by Georg Heym refers to the moon as a symbol of hope (the final light in the darkness), which, however, is destroyed by the god of war. Sommaire 1 Texte original 1.1 Traduction 2 Bibliographie … Sommaire 1 Texte original 1.1 Traduction 2 Bibliographie … Perhaps you would like to mark Tuesday, 24. Due to the long and dark vowel ‘o’ in “So” (line 8) the rhythm changes. 39 von Schumann, in dem die „Mondnacht“ bekanntlich das fünfte von insgesamt 12 Liedern bildet, weist in ihrem Vorwort darauf hin, dass im 19. As if gliding home. Joseph von Eichendorff Gedichte: Mondnacht. For me it was a wonderful teaching session filled with highly professional criticism. "Mondnacht" is described by Oskar Seidlin as Eichendorff's "most beautiful poem, one of the few perfect lyrical marvels in the German language." The first line of the first stanza as well as the fourth line in the third stanza are formed identically: both make use of the conjunctive (“hätt”, “müsst”, “flöge”) and comparisons (“als flöge sie nach Haus” line 12). Out of all the many pianists we listened to on YouTube Edith Wiens was most impressed by the accompaniment of Leonhard Hokansons (with Hermann Prey) and especially by the piano playing of Vladimir Ashkenazy accompanying Barbara Bonney, whose singing, she remarked, was “very soulful”, but all in all too one-dimensional (vibrato!). Dezember 2016. Seite wählen. The following adjective “sternklar” (line 8) also changes the stanza’s rhythm: the vowel ‘a’ in “klar” is short because of the following ‘r’. This is the link to the recording: [Video unfortunately no longer available]. He is widely regarded as one of the greatest composers of the Romantic era. In Grodek by Georg Trakl the moon appears as a companion of Mars, who symbolises the god of war. Hence, the stanza is paratactic and without enjambments3. Theodor W. Adorno rightly making reference to Goethe’s dictum remarked that “it is very difficult to speak about Mondnacht, as is the case with all things created to great effect.” And yet, I would like to attempt an approach to the singularity of this especial song. While line one refers to the tactile sense, in line two appears the visual sense and in line three the acoustic one. It is said to be one of THE favourite poems of the Germans. Each pair of even numbered lines ends with perfect rhyme, while odd numbered pairs terminate slightly imperfectly. Schumann was familiar with this Beethoven song, a fact that real Schumann enthusiasts can easily trace to his Fantasy in C major op. This is clearly the case with Mondnacht, and the key word is “meine Seele” [my soul] (first line of verse 3). von | Dez 1, 2020 | Unkategorisiert | 0 Kommentare | Dez 1, 2020 | Unkategorisiert | 0 Kommentare Romanticism regards the moon as a motif for desire and longing for something inaccessible. Hence, not the air itself is meant but rather “Luft” as a mythical-religious allusion. Assonance: repetition of vowel sounds to create internal rhyming within phrases or sentences. In addition to that, stanza one and three show assonances1. Authorship. Analyse und Interpretation Joseph von Eichendorff: Mondnacht Einleitung (Victoria L, Philipp H., Pia) Das aus der Romantik stammende Gedicht “Mondnacht”, welches im Jahre 1830 von Joseph von Eichendorff verfasst wurde, thematisiert die Sehnsucht nach der vollkommenden Erlösung nach dem Tod im Hinblick auf Freiheit und Selbstfindung. [1] 17; at the end of the first movement Schumann cites a no less significant passage verbatim: “Nimm sie hin denn, diese Lieder, die ich dir, Geliebte, sang” [Accept them, these songs, that I sang for you, oh beloved.]. Es wurde oft vertont und gedruckt, deshalb ist es vielen Menschen ein Begriff. The final line forms a conclusion. Personification: figure of speech that gives objects or animals human qualities. In Die Irren by Georg Heym invalids living in a mental home are distracted by its yellow light. It is a symbol for, for example, unfulfilled love as in Der Spinnerin Nachtlied by Clemens Brentano, or for wanderlust.. Mondnacht. Joseph von Eichendorff Es war, als hätt’ der Himmel, Die Erde still geküßt, Daß sie im Blütenschimmer. Services . I think the main aspect that makes this poem so beautiful is actually not inherently linked to the German language. The movements in stanza one suggest a connection between the mythical-religious concepts and the old Uranus-myth. The piano accompaniment’s ethereal nature fits perfectly with the other-worldly poetry of Eichendorff. Beispiel einer Gedichtinterpretation - „Mondnacht“ Joseph von Eichendorff. Schrifttum 5.2. You do need some time and have to be in the right mood to listen with concentration to song after song. Biographie Schumanns 3. In a more literal interpretation, the narrator seeks the solace of death, wishing to escape a life with nothing left to offer him. This movement can be seen in the verbs that are used as well as in den sound that is influenced by the metre, the rhythm and the vowel quality. www.timeanddate.com). Das ist kein guter Grund. Thanks to this ‘relationship’ the narrator gains new energy. The poem “Mondnacht“ by Joseph von Eichendorff was published in 1837. No. Das Gedicht „Mondnacht“ von Joseph von Eichendorff ist ein Meisterstück der Romantik und beschreibt auf sehr gefühlvolle und ästhetisch ansprechende Weise die Suche nach einer Erfüllung, einer Sehnsucht nach einem Zuhause. This link can be seen on the structural level, too. Navigate; Linked Data; Dashboard; Tools / Extras; Stats; Share . Il a été mis en musique par Robert Schumann pour en faire un lied dans son cycle Liederkreis op. Aufbau des Liedes 3.3. 2001, ISBN 3-421-05147-X. Nach juristischen Studien ging er in preußische Staatsdienste. mondnacht schumann harmonische analyse. As heaven is mentioned in this context, it can be suggested that this ‘far away’ refers to heaven. No longer are his "long dead" Mother and Father there for him, and nor is there anybody at home for him. Text und Interpretation der "Mondnacht" Neologisms: a relatively recent or isolated term, word, or phrase that may be in the process of entering common use, but that has not yet been fully accepted into mainstream language. Mondnacht Music: Robert Schumann (1810-1856) Words: Joseph Freiherr von Eichendorff (1788-1857) Mondnacht is one of Schumann’s most beloved songs, and usually thought of as the highlight of Liederkreis (the song cycle Mondnacht is part of). Gedichtanalyse 3.2. Es war, als hätt der Himmel. 5) Interpretation. Eine Analyse von Robert Schumanns Mail Right in the beginning and again at the end (“Nimm sie hin denn, diese Lieder”) you will hear the passages that Mondnacht picks up on.Part 1. Wolfgang Frühwald: Interpretation: Eichendorff, Mondnacht. Bereits ein Jahr früher hatte Clara Schumann ihre »Drei gemischten Chöre« auf Texte des Lübecker Dichters Emanuel Geibel komponiert. Bereits ein Jahr früher hatte Clara Schumann ihre »Drei gemischten Chöre« auf Texte des Lübecker Dichters Emanuel Geibel komponiert. Hardly a singer (among professionals) is not at least a tiny bit in awe of Mondnacht. In this specific poem it is the longing for resurrection as a kind of salvation in Christianity. Eichendorff’s poem Mondnacht, often translated as “Night of the Moon” unquestionably ranks among his best. Hence, it can be said that the second stanza makes use of synaesthesia5 – a rhetorical device that is typical for this literary period. The internal stanza can be seen as a link between the two external ones. 98) [To the distant beloved]. Warum muss man ein so schönes Gedicht in einer Interpretation sezieren? Another hint that implies the sudden stagnation is the word “sacht” (line 6), also the expression “leis’” (line 7) suggests stagnation - due to the omission of the -e (leise). Here the picture of flying souls returning to the place where they belong to – paradise – appears. Weil es der Lehrer sagt? Among the more recent recordings she favours Matthias Goerne accompanied by Eric Schneider. Schrifttum 5.2. Op.39 I-Catalogue Number I-Cat. Es ist im alternierenden Versmaß mit Auftakt, drei jambischen Hebungen und wechselnder Kadenz geschrieben, wobei jeweils der erste und dritte Vers auf eine klingende Kadenz enden, der zweite und vierte auf eine stumpfe. Does one need to have reached a certain age to sing Mondnacht? The neologism2 “Blütenschimmer” (line 3) can be interpreted as a hint to the Christian myth as Maria is often depicted in association with blossoms. Einleitung 2. About 'Mondnacht from Liederkreis, Op. The poem is made up of iambic trimeters. Sein Gedicht „Mondnacht“ gilt heute als eines der bekanntesten der Romantik. Receive the latest information about Urtext every other month. When analysing the poem, it is best to do so by taking a closer look, firstly, at the external stanzas, and then, at the internal stanza. The Sturm und Drang personifies 6 the moon and refers to it as a companion of the narrator. What, in Edith Wiens’ opinion makes a successful interpretation of Mondnacht? Only the enjambment in line two of the first stanza does not fit. These movements continue in stanza two, in which descriptions of nature serve as a link between the Uranus-myth and the more modern Christian myth. Jahrhundert „die religiöse Bindung des Textes der Mondnacht anscheinend noch bekannt [war], denn dieses Lied erklang auch am 22. Fazit 5. Dezember 2016. Seite wählen. Literaturverzeichnis 5.1. The first three lines describe movements, whereas in the final line of this stanza there is stagnation. It is a symbol for, for example, unfulfilled love as in Der Spinnerin Nachtlied by Clemens Brentano, or for wanderlust. Why? Eichendorffs Mondnacht. Aufbau des Liedes 3.3. It is interesting to note that in former versions this line started with the words ‘Von weitem’ (‘from far away’). Eine Analyse von Robert Schumanns Sein Gedicht „Mondnacht“ gilt heute als eines der bekanntesten der Romantik. In stanza one an enjambment also appears in line three and four. The third movement represents a tribute to Robert Schumann over ' Mondnacht ' [Moonlit Night] , one of the loveliest songs of the Romantic era, anticipating the Impressionism of modern French music. Reclam 2003, ISBN 3-15-008230-7. Mondnacht — (Nuit sous la lune 1835) est un lied composé par Robert Schumann sur un poème de Joseph von Eichendorff, poète allemand. Navigate; Linked Data; Dashboard; Tools / Extras; Stats; Share . Geistliche Gedichte. Which pitch of voice does Edith Wiens prefer for Mondnacht? That takes away the singer’s fear. by Josef Karl Benedikt von Eichendorff (1788 - 1857), "Mondnacht", appears in Gedichte, in 6. That I can easily believe, for even the oh so “modern” citizens of the 21. century can hardly remain untouched by the magic of these three verses. The subject of stanza three is the myth around resurrection as a form of salvation in Christianity. Verifizierter Kauf. It is rather about the longing for a heavenly paradisiac place – a motif typical for Eichendorff, giving evidence to his deep religious beliefs. Eichendorffs Gedicht »Mondnacht« aus dem Jahre 1835, der die vorliegende Aufnahme ihren Titel verdankt, ist das wohl bekannteste Gedicht der deutschen Romantik. However, this resurrection does not occur as it is referred to in the conjunctive mood („als flöge“ line 12). by Josef Karl Benedikt von Eichendorff (1788 - 1857), "Mondnacht", appears in Gedichte, in 6. Liedanalyse „Mondnacht“ 3.1. But of course, among us Schumann and Eichendorff enthusiasts this would not be regarded any way out of the ordinary.YouTube list as download. Moreover, the stanza is written only in indicative. MONDNACHT – Werke für Chor a cappella Zusatzinfo: Robert Schumann (1810-1856): Vier doppelchörige Gesänge, op.141 Romanzen für Frauenstimmen und Klavier ad … Fazit 5. The main reason - to me anyways - is the effortless convergence of the phenomenons in the world around us and the world inside us. Personifications are often used in fables where animals act as humans. ... Robert Schumann was a German composer and influential music critic. Eichendorff, Joseph von - Mondnacht (Interpretation & Analyse) Eichendorff, Joseph Karl Benedikt Freiherr von: Mondnacht; Schumann, Robert: Mondnacht; Kunert, Günter - Zentralbahnhof (Interpretation) Kunert, Günter - Zentralbahnhof (Zusammenfassung, Analyse) Eichendorff, Joseph von - Mondnacht (Biografie + 2 Interpretationsansätze) No longer are his "long dead" Mother and Father there for him, and nor is there anybody at home for him. It marks the night of the next full moon. The changing rhythm corresponds with the content-based movement of the second stanza. Musikalien Mondnacht — (Nuit sous la lune 1835) est un lied composé par Robert Schumann sur un poème de Joseph von Eichendorff, poète allemand. This is how Mrs Wiens explains the art of perfect piano accompaniment: the piano must be the opposite of linear; it must be played in a circular movement. No. Interestingly, Schumann created four different versions of Mondnacht; you will find them all, together in print for the very first time, in the new Henle edition.If you wish to indulge in the sensuality and hidden meaning of the text of Mondnacht, click the following YouTube-Link and listen to the recitation of three great actors, each greatly from different from the other: Rezitation von Gert Westphal (1963) [Video nicht mehr verfügbar]Rezitation by Dieter Mann (2001)Rezitation by Katharina Thalbach. Mondnacht. August 2010 in your calendar for that purpose? The third movement represents a tribute to Robert Schumann over ' Mondnacht ' [Moonlit Night] , one of the loveliest songs of the Romantic era, anticipating the Impressionism of modern French music. As if gliding home. Die „Mondnacht“ wurde 1837 in Eichendorffs erster Gedichtsammlung veröffentlicht. mondnacht schumann harmonische analyse. The touch is illustrated by the shining of blossoms that reflect the sunlight. 1. Wolfgang Nehring: Spätromantiker. No. Verifizierter Kauf. It is said to be one of THE favourite poems of the Germans. About 'Mondnacht from Liederkreis, Op. Here you can choose, the areas to be searched. Thomas Mann bezeichnete die „Mondnacht“ als die „Perle der Perlen“ und Wolfgang Frühwald, ein Literaturwissenschaftler, der eine Interpretation dazu geschrieben hat, nannte das Gedicht die „orphische Melodie der Nacht“. However, all three stanzas are written in crossed rhyming (ABAB). 1. Es wurde oft vertont und gedruckt, deshalb ist es vielen Menschen ein Begriff. This synaesthesia is a link to the flying souls in stanza three. While heaven moves downwards, the soul moves upwards. Es handelt sich damit um eine sogenannte Hildebrandsstrophe oder genauer um eine halbe Hildebrandsstrophe. The allusion to the Uranus-myth links the first stanza to the third stanza and its idea of the Christian myth. Es wird sich zeigen, ob dies im Verlaufe des Gedichts näher dargestellt wird, ob die Überschrift mit dem Inhalt übereinstimmt oder, was Gedichtüberschriften auch immer wieder tun, ob die Überschrif… Aufl. In line seven and eight one can find inversions4. SCHUMANN'S "MONDNACHT" SETTING 49 The poem scans in iambic trimeter, its twelve lines dividing into three quatrains each composed of a single sentence. Moreover, the descriptions of nature have a deeper meaning: the allusion to ‘pneuma’ form a link to the following stanza. / Die Luft ging durch die Felder, / Die Ähren wogten sacht, / Es rauschten leis die Wälder, / So sternklar war die Nacht. And the reason is not only Eichendorff’s positively shattering command of language, his characteristically desirous tone and the subtle intertwining of nature and personal inner reflections. Musikalisch-textliche Analyse 4. And where does this song stand in technical and vocal regards within the context of the other songs of the cycle? About the headline (FAQ). Boston University Libraries. Schumann, Robert: Opus/Catalogue Number Op./Cat. The narrator in An den Mond by Johann Wolfgang von Goethe sees a friend in the … The moon is here associated with coldness and the silence after death. Services . Enjambment: incomplete syntax at the end of a line, the meaning runs over from one line to the next without terminal punctuation. Schrifttum 5.2. August). The image of death is tenderly and touchingly portrayed as the soul quietly returning home, and we experience death in this context as a liberation from earthly weight and bitterness (thus, in an excellent essay, Wolfgang Frühwald, Professor of German literature). Interpretations and analyzes ordered by literary epochs, Interpretations and analyzes sorted by authors, Interpretations and analyzes arranged by topic, Joseph von Eichendorff - Mondnacht (Interpretation #13), Joseph von Eichendorff - Mondnacht (Interpretation #14), Joseph von Eichendorff - Mondnacht (Interpretation #101), Joseph von Eichendorff - Mondnacht (Interpretation #161), Joseph von Eichendorff - Mondnacht (Interpretation #202), Joseph von Eichendorff - Mondnacht; Georg Trakl - Romanze zur Nacht (Gedichtvergleich #472), Joseph von Eichendorff - Mondnacht (Interpretation #615), Joseph von Eichendorff - Mondnacht; Georg Heym - Die Stadt (Gedichtvergleich #675), Joseph von Eichendorff - Mondnacht; Günter Kunert - Mondnacht (Gedichtvergleich #772), Joseph von Eichendorff - Mondnacht (Erschließung #906), Joseph von Eichendorff - Winternacht; Georg Trakl - Im Winter (Gedichtvergleich #333), Georg Trakl - Im Winter; Joseph von Eichendorff - Winternacht (Gedichtvergleich #225), Ludwig Uhland - Frühlingsglaube; Georg Heym - Frühjahr (Gedichtvergleich #685), Georg Trakl - Verfall; Rainer Maria Rilke - Herbst (Gedichtvergleich #251), Georg Heym - Frühjahr; Joseph von Eichendorff - Abend (Gedichtvergleich #477), so that earth with its shimmering blossoms. Geistliche Gedichte [author's text checked 1 time against a primary source]; Musical settings (art songs, Lieder, mélodies, (etc. Aufbau des Liedes 3.3. In my attempt to approach this special Schumann song I ensured the knowledge and art of one of the most renowned singers and song teachers of our time; I had the honour of speaking at length with Dr. h.c. mult. Diese Verschmelzung von Irdischem und Himmlischem ist das, was klassischerweise als Paradies bezeichnet wird. The Sturm und Drang personifies6 the moon and refers to it as a companion of the narrator. The narrator in An den Mond by Johann Wolfgang von Goethe sees a friend in the moon, which appears as a counterpart to society, which the narrator has turned away from. Ich denke, ein Grund wird sein, dass das Gedicht keine Ansprüche stellt. And one should also not overlook the simple fact that Mondnacht belongs to the “Spiritual Poems” within Eichendorff’s collection.
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